Winner of the 2025 Bei Shan Tang Catalogue Prize
I designed the catalogue to accompany the British Museum exhibition, China’s hidden century: 1796–1912.
Cultural creativity in China between 1796 and 1912 demonstrated extraordinary resilience in a time of warfare, land shortages, famines and uprisings. Innovation can be seen in material culture (including print, painting, calligraphy, textiles, fashion, jewellery, ceramics, lacquer, glass, arms and armour, rugs, silver, money, and photography) during a century in which China’s art, literature, crafts and technology faced unprecedented exposure to global influences.
1796 – the official end of the reign of the Qianlong emperor – is viewed as the end of the ‘high Qing’ and the start of a period of protracted crisis. In 1912, the last emperor, Puyi, abdicated after the revolution of 1911, bringing to an end some 2,000 years of dynastic rule and making way for the republic.
